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  • Modernism (Art) -- Exhibitions.
     
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  • Arts, Modern -- 20th century -- Exhibitions.
     
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  • Art, Modern -- 20th century -- Exhibitions.
     
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  • Counterculture -- History -- 20th century -- Exhibitions.
     
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  • Arts and society -- History -- 20th century -- Exhibitions.
     
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  • Art and society -- History -- 20th century -- Exhibitions.
     
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  • Utopias in art -- Exhibitions.
     
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  •  Hippie modernism : t...
     
     
     
     MARC Display
    Hippie modernism : the struggle for utopia / Edited by Andrew Blauvelt ; Texts by Andrew Blauvelt, Greg Castillo, Esther Choi, Alison J. Clarke, Hugh Dubberly, Ross K. Elfline, Adam Gildar, Liz Glass, David Karwan, Paul Pangaro, Craig J. Peariso, Catharine Rossi, Tina Rivers Ryan, Simon Sadler, Jeffrey Schnapp, Felicity D. Scott, Susan Snodgrass, Lorraine Wild ; Interviews with Ken Isaacs [and 11 others]
    View full image
    Minneapolis : Walker Art Center, 2015.
    Subjects
  • Modernism (Art) -- Exhibitions.
  •  
  • Arts, Modern -- 20th century -- Exhibitions.
  •  
  • Art, Modern -- 20th century -- Exhibitions.
  •  
  • Counterculture -- History -- 20th century -- Exhibitions.
  •  
  • Arts and society -- History -- 20th century -- Exhibitions.
  •  
  • Art and society -- History -- 20th century -- Exhibitions.
  •  
  • Utopias in art -- Exhibitions.
  • ISBN: 
    9781935963097 (pbk.)
    1935963090 (pbk.)
    Description: 
    448 pages : illustrations ; 30 cm.
    Edition: 
    First Edition.
    Contents: 
    Walker Art Center, Minneapolis, October 24, 2015- February 28, 2016; University of California, Berkeley Art Museum and Pacific Film Archive, February 8-May 21, 2017.
    Foreword/Olga Viso -- Acknowledgments/Andrew Blauvelt -- Preface/Andrew Blauvelt -- Essays -- The Barricade and the Dance Floor: Aesthetic Radicalism and the Counterculture/Andrew Blauvelt -- Atmosphere of Institutional Critique: Haus-Rucker-Co's Pnematic Temporality/Esther Choi -- Agency and Urgency:The Medium and Its Message/Lorraine Wild and David Karwan -- From East to West and Back Again: Utopianism in Italian Radical Design/Catherine Rossi -- Buckminster Fuller's Rrindeer Abattoir and Other Designs for the Real World/Alison J. Clarke -- It's Not Easy Being "Free"/Craig J. Peariso -- Counterculture Terroir:California's Hippie Enterprise Zone/Greg Castillo -- Networks and Apparatuses, circa 1971: Or, Hippies Meet Computer/Felicity D. Scott -- Mandales or Raised Fists? Hippie Holism, Panther Totality, and Another Modernism/Simon Sandler -- How Cybernetics Connects Computing, Counterculture, and Design/Hugh Dubberly and Paul Pangaro -- Radical Bodies/Ross K. Elfine -- Works -- Section I: Turn On -- Section II: Tune In -- Section III: Drop Out -- Advertisements for a Counter Culture -- Interviews -- Enter the Matrix: An Interview with Ken Isaacs/Susan Snodgrass -- Toward a Stroboscopic History: An Interview with Gerd Stern of USCO/Tina Rivers Ryan -- Domes, Droppers, and The Ultimate Painting: An Interview with Clark Richert and Richard Kallweit/Adam Gildar -- On Covers, Connections, and Criticality: An Interview with Günter Zamp Kelp of Haus-Rucker-Co/Esther Choi -- Stirring the Intermix: An Interview with Tony Martin/Liz Glass -- Unspeakable Signs: An Interview with Woodson ("Woody") Rainy and Ron Williams of ONYX/Esther Choi -- Blueprint for Counter Education: An Interview with Maurice Stein, Larry Miller, and Marshall Henrichs/Jeffrey T. Schnapp -- "One, Two: A Hundred, a Thousand Global Tools": AnInterview with Franco Raggi/Andrew Blauvelt -- Etc. -- Exhibition Checklist -- Reproduction Credits -- Catalogue Contributors -- Index.
    Content Notes: 
    Includes index.
    Artists and publications include: Isaac Abrams, Ant Farm, Archigram, Archizoom Associati, Aspen, Steve Baer, Jordan Belson, Boyle Family, Stewart Brand, Ira Cohen, Bruce Conner, Dick Dahlgren, François Dallegret, Sheila Levrant de Bretteville, The Diggers, Documerica, Emory Douglas, Drop City, Öyvind Fahlström, Quentin Fiore and Jerome Agel, Free City Collective, Piero Gatti, Cesare Paolini and Franco Teodoro, Clay Geerdes, Global Tools, Gorilla Graphics and Kamikaze Design, Gary Grimshaw, Helen Mayer Harrison and Newton Harrison, Jack Hatfield, Louis Sozzi, Fayette Hauser, Haus-Rucker-Co, Alfred Henry Heineken and N. John Habraken, Nancy Holt and Robert Smithson, Barbara Isaacs, Ken Isaacs, Sture Johannesson, Lloyd Kahn, Kaleidoscope Graphics, Alton Kelley, Corita Kent, Ugo La Pietra, Bud Lee, Paolo Lomazzi, Donato D'Urbino, Jonathan De Pas, and Carla Scolari, Carl Lundgren and Victor Skrebnewski, Jerry Younkins, Bonnie MacLean and Herb Greene, Roberto Mardones, Tony Martin, Katherine McCoy and Michael McCoy, Edward Fella, Victor Moscoso, Stanley Mouse, Alton Kelley, and Michael Bowen, Ted Nelson, Hélio Oiticica and Neville D'Almeida, ONYX, Oz, Victor Papanek, George Seegers, James Hennessey, Gaetano Pesce, Gregory Pickup, Provo, Radical Software, Elias Romero, Evelyn Roth, Lucas Samaras, Scanlan's Monthly, Michael Shamberg, Raindance Corporation, Alan Shields, David Singer, Satty Singer, Ettore Sottsass, Maurice Stein, Larry Miller, and Marshall Henrichs, Gerd Stern, Superstudio, UFO, USCO, John Van Hamersveld, Videofreex, John Whitney, Whole Earth Catalog, Judith Williams, Allen Willis, Wes Wilson, Dean Cail, Jerry Uelsmann.
    Additional Author: 
    Blauvelt, Andrew, 1964- author, editor.
    Castillo, Greg, author.
    Choi, Esther, author.
    Walker Art Center, organizer, host institution.
    Berkeley Art Museum and Pacific Film Archive, host institution.
    Summary: 
    "Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, Hélio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including: Gerd Stern of USCO; Ken Isaacs; Gunther Zamp Kelp of Haus-Rucker-Co; Ron Williams and Woody Rainey of ONYX; Franco Raggi of Global Tools; Tony Martin; Clark Richert and Richard Kallweit of Drop City; as well as new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life." -- From the publisher.
    Notes: 
    Includes bibliographical references.
    Genre: 
    Exhibition catalogs.
    Number of Holds: 
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