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  • Nolde, Emil, 1867-1956 -- Exhibitions.
  • Expressionism (Art) -- Germany -- 20th century -- Exhibitions.
  • World War, 1939-1945 -- Art and the war -- Exhibitions.
  • National socialism and art -- Exhibitions.
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  •  Emil Nolde : the art...
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    Emil Nolde : the artist during the Third Reich / Bernhard Fulda ; edited by Bernhard Fulda, Christian Ring and Aya Soika for the Nationalgalerie der Staatlichen Museen zu Berlin and the Nolde Stiftung Seebüll.
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    Munich, Germany : Prestel Verlag ; Neukirchen, Germany : Nolde Stiftung Seebüll, 2019.
  • Nolde, Emil, 1867-1956 -- Exhibitions.
  • Expressionism (Art) -- Germany -- 20th century -- Exhibitions.
  • World War, 1939-1945 -- Art and the war -- Exhibitions.
  • National socialism and art -- Exhibitions.
  • ISBN: 
    381 pages : illustrations (some color), portraits, facsimiles, photographs ; 31 cm.
    Introduction / Bernhard Fulda, Aya Soika -- The long dispute over expressionism around Nolde / Aya Soika -- Nolde's autobiography : the misunderstood genius in the struggle for German art / Bernhard Fulda -- Nolde's anti-Semitism / Bernhard Fulda -- Jews, fantasy figures, and Vikings / Bernhard Fulda -- Nolde's war / Bernhard Fulda -- The 'unpainted pictures' : genesis of a myth / Bernhard Fulda -- Creating a German post-war legend / Bernhard Fulda -- Picture section.
    Content Notes: 
    Published in conjunction with the exhibition held at Neue Galerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin from 12 April - 15 September, 2019.
    Additional Author: 
    Nolde, Emil, 1867-1956, artist.
    Fulda, Bernhard, editor, author.
    Ring, Christian, editor, author of foreword.
    Soika, Aya, editor, author.
    Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart--Berlin, host institution.
    Prestel Verlag, publisher.
    "After the Second World War ended in 1945 the Expressionist Emil Nolde (1867-1956) came to symbolise the epitome of the modern German artist persecuted by the National Socialist regime. More works were confiscated from Nolde during the 'Degenerate Art' campaign than from any other artist, and no other artist's works were as prominently pilloried as Nolde's in the initial Entartete Kunst (Degenerate Art) shows that began travelling the country in 1937. In 1941 he was forbidden to practise as an artist. How do Nolde's ostracism and the professional ban fit together with our knowledge that he had been a Party member since 1934 and that he remained loyal to the National Socialist regime until the end of the war? This publication explains Nolde's lasting commitment to National Socialism. It underscores the importance of his work to his autobiography, exposes the consequences of his increasingly radical anti-Semitism, and presents a new perception of the professional ban and the creation of the 'Unpainted Pictures'. Previously unpublished letters and documents, as well as many lesser-known works from the artist's estate at the Stiftung Seebüll Ada and Emil Nolde, provide insight into Nolde's behaviour and artistic practice during the National Socialist era." -- Publisher's description.
    Includes bibliographical resources (pages 372-375) and index.
    Language Notes: 
    Text in English, translated from the German.
    Exhibition catalogs.
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    Call No.CollectionStatus 
    ND588 N64 F84CirculatingChecked InRequest Copy
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